“for the LOVE of Music” with Sara Troy and her guest Ellis Hall, on air from May 6th
ELLIS HALL: A LIFE IN FULL COLOUR, SOUND, AND SOUL
When word got out that a blind kid could play anything, doors opened wide. At 17, Milt Jackson of the Modern Jazz Quartet invited me to tour—Mama said no, but let me sit in when he played Boston. So I went to school by day, played clubs by night, jammed for 5,000 at Franklin Park, and soon formed The Ellis Hall Group. No label, just soul. We packed venues with “Ellisized” covers, caught J. Geils’ attention, and opened for legends like The Cars, Earth, Wind & Fire, Taj Mahal, The Temptations, and The Spinners—who once had me sub on bass mid-show.
In 1976, opening for Tower of Power changed my life. Seven shows later, Emilio Castillo asked me to join. While still in Boston, I scored film soundtracks—including a sex ed film shown in schools—and played with fellow blind musicians in Project Insight, collaborating with Tom Scott, Rob Mounsey, and The Brecker Brothers.
In ’84, I moved to L.A. to break into commercials, and just as I was boasting about the sunshine, TOP called. Two weeks later, I was onstage freezing in Minnesota. I did 300 shows a year with them, sang, played keys and guitar on the Power album (1987), and earned a Grammy nomination for “Some Days Were Meant for Rain,” which I later revived with George Whitty for our new WHAT!!!! project.
That run led to Kenny G’s Duotones—I was brought in to sing “What Does It Take” in Jr. Walker’s key. The album went 5x platinum and helped launch smooth jazz. Other milestones followed: working with the Muppets, scoring Chicken Run, writing a Michelob jingle sung by pre-fame Luther Vandross, and even performing at a Clinton inaugural ball.
Then came a moment I’ll never forget—Christmas 2001. After performing at Stevie Wonder’s benefit, Ray Charles saw me play and offered to sign me to his Crossover label. “Where the F have you been?” he said. We recorded 15 tracks together before he passed. They’ve never been released, but the experience was priceless.
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Covers have always spoken to me. George Whitty and I close our new album with “I Thank You,” honoring my roots. Even David Bowie heard my version of “Let’s Dance” and loved it.
Since then, I’ve written over 4,000 soul, gospel, blues, and pop songs. I’ve worked with Patti LaBelle, James Taylor, Toby Keith, Stevie Wonder, Herbie Hancock, George Benson, Maurice White, George Duke, John Klemmer—you name it. I’ve sung on dozens of film soundtracks, including The Lion King 2, Shrek 2, Invincible, Bruce Almighty, and even sang Louis Armstrong’s voice in Spielberg’s Catch Me If You Can.
I also created and toured two symphony shows: Ellis Hall Presents Ray, Motown and Beyond and Ellis Hall Soul Unlimited. George Whitty, a longtime fan, finally connected with me through my project manager Alec Berfeld. George sent me a tribute song for Ukraine called “Hug Me,” and I immediately heard the potential to lift it into something epic. That was the birth of WHAT!!!!.
But beyond all the gigs and glory, what fills me most is watching my four children grow and thrive, inspired by my journey. I am a vessel for the music, a soul ambassador, and after all this time, I’m still just getting started.
FIND THE LAST SHOW ELLIS DID WITH SARA HERE
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