AK23-12.The Artist Abigail Child Gets Her Due.


An Authors Kiss with Sara Troy and her guest Abigail Child, on air from March 21st

Legendary Experimental & Documentary Filmmaker Abigail Child Receives Career Retrospective at NYC’s Anthology Film Archives .

At times playful and at others intensely provocative, the cinema of Abigail Child has been a cornerstone of the American avant-garde film movement since the late 1970s. Poet, visual artist and filmmaker Abigail Child has absorbed the best of mentors like Jonas Mekas, experimental icons like Marie Menken, Len Lye & Arthur Lipsett, and has been a trailblazer for LGBTQIA+ artists alongside fellow game-changers like Barbara Hammer and Yvonne Rainer.

The work is emotionally probing, intellectually challenging, and visually arresting. Every image is a masterful flourish filled with power, and each sounds an alarm, a call to arms for each of us to march forward in our own personal journey. 

A destroyer of boundaries and builder of bridges, the work traverses the finest experimental cinema and the very best of the documentary form.

These fantastic works have been lovingly curated in a long overdue career retrospective for Abigail Child, presented at New York’s Anthology Film Archives from March 24th to the 28th, 2023.



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About Abigail Child

Abigail Child has been at the forefront of experimental writing and media since the 1980s, having completed more than thirty film/video works & installations and written six books. An acknowledged pioneer in montage, Child addresses the interplay between sound and image to make, in the words of LA Weekly: “brilliant, exciting work…a vibrant political filmmaking that’s attentive to form.”

About Anthology Film Archives

Opened in 1970 by Jonas Mekas, Jerome Hill, P. Adams Sitney, Peter Kubelka, and Stan Brakhage, Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema.



BOOKS http://www.abigailchild.com/books/books.htm

http://anthologyfilmarchives.org/film_screenings/calendar

http://www.abigailchild.com

https://vimeo.com/abigailchild

https://www.blogger.com/profile

Here full lineup of here work here


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AK23-12.The Artist Abigail Child Gets Her Due.


An Authors Kiss with Sara Troy and her guest Abigail Child, on air from March 21st

Legendary Experimental & Documentary Filmmaker Abigail Child Receives Career Retrospective at NYC’s Anthology Film Archives March 24-28th

At times playful and at others intensely provocative, the cinema of Abigail Child has been a cornerstone of the American avant-garde film movement since the late 1970s. Poet, visual artist and filmmaker Abigail Child has absorbed the best of mentors like Jonas Mekas, experimental icons like Marie Menken, Len Lye & Arthur Lipsett, and has been a trailblazer for LGBTQIA+ artists alongside fellow game-changers like Barbara Hammer and Yvonne Rainer.

The work is emotionally probing, intellectually challenging, and visually arresting. Every image is a masterful flourish filled with power, and each sounds an alarm, a call to arms for each of us to march forward in our own personal journey. 

A destroyer of boundaries and builder of bridges, the work traverses the finest experimental cinema and the very best of the documentary form.

These fantastic works have been lovingly curated in a long overdue career retrospective for Abigail Child, presented at New York’s Anthology Film Archives from March 24th to the 28th, 2023.

Tickets are currently on sale by visiting the Anthology Film Archives website at http://www.anthologyfilmarchives.org/series/55719.


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About Abigail Child

Abigail Child has been at the forefront of experimental writing and media since the 1980s, having completed more than thirty film/video works & installations and written six books. An acknowledged pioneer in montage, Child addresses the interplay between sound and image to make, in the words of LA Weekly: “brilliant, exciting work…a vibrant political filmmaking that’s attentive to form.”

About Anthology Film Archives

Opened in 1970 by Jonas Mekas, Jerome Hill, P. Adams Sitney, Peter Kubelka, and Stan Brakhage, Anthology Film Archives is an international center for the preservation, study, and exhibition of film and video, with a particular focus on independent, experimental, and avant-garde cinema.



BOOKS http://www.abigailchild.com/books/books.htm

BUY TICKETS TO HER LIVE EVENT ON MARCH 24TH – 28TH

http://anthologyfilmarchives.org/film_screenings/calendar

http://www.abigailchild.com

https://vimeo.com/abigailchild

https://www.blogger.com/profile

Here full lineup of here work here

FIND MORE SHOWS OF ILLUMINATION HERE

Find us on these sites too.  linktr.ee/saratroy

All of our shows/interviews are done by donation, if you enjoyed this show please support us here with either a one-time donation or subscribe and support on Patreon.

PVR16-48 The Real Meaning behind the Movies

Positive Vibrations Roundtable with Sara Troy and her guests Sam Hawksmoor and Brent Marchant on air from November 29TH.

movies

Are movies just entertainment or are there messages we need to learn or be inspired by in them? We will be discussing current and past movies that have a conscious affect on us. 

Sam Hawksmoor is an author and creative writers professor in the UK, movies are very important to him as they spark the creativity in his books.

540245_208627949264933_14205711_nI loved reading stories about the future that would take me far away from my boarding school in Woodhall Spa or later St James. The future was exciting then and scary. After careers that involved travel and photography and jointly editing the  Hack Writers Magazine it’s pretty much all been about writing. (Add a smattering of gold prospecting in B.C. & Nevada whilst researching a novel) and teaching (running Creative Writing Masters Programmes at Falmouth & Portsmouth Universities). Somewhere back there also writing radio drama (About 35 plays broadcast), I starting teaching ‘Writing for Kids’ which proved to be one of the most popular courses I ran. From there started writing my own YA stories.

Sam Hawksmoor is a lecturer in Creative Writing, editor of the long running Hackwriters.com on-line magazine and author of The Repossession Trilogy, The Repercussions of Tomas D, Another Place to Die: Endtime, Marikka and his latest YA novel J & K 4Ever  – a story about love in a post-apocalypse.

https://selfdiscoverywisdom.com/2021/05/23/sam-hawksmoors-books-articles/

 http://www.samhawksmoor.com

   See his movies choices HERE



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33cc0e38-7a50-7249-3304-23295fa7cd6eA lifelong movie fan and longtime student of metaphysics, Brent Marchant is the award-winning author of Get the Picture?Conscious Creation Goes to the Movies  and Consciously Created Cinema: The Movie Lover’s Guide to the Law of Attraction both of which provide reader-friendly looks at how the practice of conscious creation (also known as the law of attraction) is illustrated through film. He’s currently working on several additional publishing projects, including his latest book, Third Real: Conscious Creation Goes Back to the Movies, scheduled for release in 2017.

Brent maintains an ongoing blog  (brentmarchantsblog.blogspot.com) about metaphysical cinema and other self-empowerment topics on his web site (www.BrentMarchant.com). He is also Featured Contributor for Smart Women’s Empowerment (www.smartwomensempowerment.org), Movie Correspondent for The Good Radio Network (thegoodradionetwork.com) and Contributor to New Consciousness Review magazine (www.ncreview.com). His additional writing credits have included submissions to Library Journal, BeliefNet, VividLife magazine, New Age News and Master Heart Magazine. Hear Brent as movie review radio correspondent on Frankiesense & More (toginet.com/shows/frankiesenseandmore) and on New Consciousness Review’s Reviewers Roundtable He’s a frequent guest on various Internet and broadcast radio shows, as well as a regular presenter at conscious creation conferences. Brent holds a B.A. in magazine journalism and history from Syracuse University.

FOR MORE ON BRENT’S SHOW WITH US GO HERE 

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Sam Hawksmoor Novels

The Pursuit of Wholeness show presents 

The Sam Hawksmoor Novels

Reposession
The Heaviness J&K
Repercussions
Another Place To Die
Marikka

Sara Troy interviews Sam Hawksmoor of his books and being a writer. 

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Sara Troy interviews Sam Hawksmoor author of J&K 4Ever and many more.

Sam shares his writing experience and his latest books. His has run Hackwriters Magazine for over 17 years and been a writer all of his life.

Sam  what is  J& K 4Ever – all about?

J&KCover1It’s about love in a post-apocalypse.  So many books about our future on this planet are about violence and destruction; I wanted to think about two young lovers who have to exist in this future and their determination to love each other despite all the odds against it.  Jeyna and Kruge are orphans raised in an oppressive city orphanage under the control of the Warden.The City of Bluette is run on extreme fundamentalist lines. Boys are educated, girls are not. We don’t dwell on what happened in the past; just know that a group not unlike ISIS irradiate the world’s oil supply and all of civilization collapsed.  You’d be surprised just how fast it collapses too.  But this isn’t our concern. The books takes place sixty years later and the Ministers who run their city have banned everything. Electricity, even combs, everything is an abomination and all are banished to the scraps to be burned.

Jeyna, not yet sixteen is dedicated to Kruge of the same age. But girls are sold to the highest bidders at 16 and Kruge is sent away to the Scraps the day before Jeyna is to be sold.  Naturally they are devastated and this is their story of fleeing into the wastelands, totally ignorant of the dangers and wholly ill equipped to survive.  It’s like a Road Movie. How they survive in this hostile wilderness is just one element of the book.

540245_208627949264933_14205711_nI loved reading stories about the future that would take me far away from my boarding school in Woodhall Spa or later St James. The future was exciting then and scary. After careers that involved travel and photography and jointly editing the  Hack Writers Magazine it’s pretty much all been about writing. (Add a smattering of gold prospecting in B.C. & Nevada whilst researching a novel) and teaching (running Creative Writing Masters Programmes at Falmouth & Portsmouth Universities). Somewhere back there also writing radio drama (About 35 plays broadcast), I starting teaching ‘Writing for Kids’ which proved to be one of the most popular courses I ran. From there started writing my own YA stories.

What genre are your books?  Your previous book ‘Another Place to Die: Endtime Chronicles’ is also pretty bleak.  That was set in Vancouver and the Baja.

I guess they are Dystopian.  ‘Another Place to Die: Endtime’ is set in the present day.  It was stimulated by what if we had something similar to Ebola break out in North America – but faster acting and totally lethal. A pandemic where none of the antibiotics work.  How quickly would civilization break down?  We already live in a world where antibiotics are failing and super-bugs are winning.  Here I wanted to give the young protagonists a chance to survive.  Kira with her dog Red and Liz and her family escape to the Baja thinking it will be safe, but Liz soon finds out that isn’t so. And a young couple that head out to the Islands and discover that no one is going to let them land.  I like setting my characters a challenge and see if they can overcome the odds.

What draws you to this genre?

A perfect sense of Doom.  I think when I was young I was scarred for life by reading Albert Camus ‘The Plague’; it is still one of my favourite books. Perfectly contained, a microcosm of a walled city where every day you could die and can’t escape.

How much research do you do?

Lots.  You can’t just make it up.  And I enjoy the reading before I write. Whether a pandemic or any other situation, you need to know just how fast things could disintegrate. What are the government protocols and the likelihood of them being obeyed.  With J&K 4Ever, I was researching various doomsday scenarios but wanted to avoid writing that typical guns and bunker psychotic story of brutal survival.  I chose to think about the period after all that. Think about how long a car takes to rust to death, civilization will crumble in the same way and every time it tries to recover – something will get in the way. I just hope people get to the read the book before Trump speeds up the end of the world.

When did you decide to become a writer?

Been writing pretty much since a teenager. I wrote scripts first as I went to film school and those were mostly turned into radio dramas.  I enjoyed that period of my life, even if it was the exact opposite of what I intended.  Turns out radio need to be very visual.  Sadly radio drama has virtually disappeared and there’s a great firewall around the BBC Drama department to prevent anyone else getting in.

Why do you write?

Why do you breathe?  It’s not easy question to answer. But sometimes I get very down and think I’ll never have another idea ever and then I can just be driving somewhere or walking by the beach and suddenly there it is. Bang and I’ll know what I will be doing for the next year of my life.

Do you write full-time or part-time?

When I am writing, every day.  Although I run a web magazine Hackwriters.com, so of course I have to work on that every month too.

Do you have a special time to write? How is your day structured?

I write by hand, take breaks, read it through, try to plan at least one or two chapters ahead so I don’t get too lost and only reluctantly admit it if I hit a brick wall and have to unravel and start again from a key point.  I know some writers, like Patrick Ness who write the last line first but there is no way I could do that.  With J& K I had an end for a few months, then suddenly knew I needed a different end and that made all the difference to how I perceived the book.

With Another Place To Die, I wrote it twice. There’s a deleted first edition that was more about the adults surviving. Then I decided it would work better without them and totally rewrote the whole book and added new sections that had been a strand I discarded in the first version.  I’m not sure I’d do that again, but my Masters was in adaptation from book to screen and so it’s taking a different viewpoint on a book and seeing alternate ways of telling the story emphasizing the visual.  I imagine almost every writer wishes they could go back and change something in a book once published.  Sometimes it’s hard to walk away from a story and the people you have created.  I still think about Kira and Red and wonder what they would be doing on Salt Spring Island now a few years on.

Where do the your ideas come from?

Headlines. Situations, Observations – the never-ending capacity for some people to be wholly unreasonable, or resentful; or inhumane.  An act of kindness, a feeling about the way things are trending, a feeling of unease… ideas come from any direction.

How do you think you’ve evolved creatively?

I like to try things new. In the beginning as I writer I’d be very concerned with plotting, but as I have matured it became more important to develop characters and let them lead the way. My characters are very important to me and it’s hard to let go. I always get very involved in them and the writing process. It’s very real to me.  A book I wrote two years ago, Marikka, is based on a real life tragedy about a stepfather who burned down his home and killed his family when facing a repossession by the taxman.  Marikka is the daughter who fled the fire thinking she’d be blamed.  Her real father has been looking for her for years unbeknownst to Marikka and he enlists the help of a young girl who can read objects, a psychic.

Anya, the psychic was based on a real person I met in Spain.  She became a very important part of the story – wholly unplanned for, but it brought the whole book together and if you took her out of the story it would be diminished.  It’s recognizing that sometimes a character can evolve beyond what you intended.  Readers always ask me to write something more about her.

What is the hardest thing about writing?

Getting anyone to read your drafts and comment honestly.  It’s a responsibility and hard to get people to commit to reading 100,000 words and making notes.  I await notes for my next book, already finished and since it is 130,000 words long, a real labour of love.  Sometimes you get surprising comments that are really useful or ones like I got for The Repossession, which was, kill the pig, get rid of the boy, and put down the dog.  Happily I ignored all.

There’s nearly always a dog in your stories.

Never intentional, but lots of kids have dogs in their lives and they are very important parts of the family, often the only thing they really trust.
So Kira in ‘Another Place to Die; Endtime’ is essentially saved by her dog, Red.  Their bond is strong and no matter how hard it is to keep a dog alive in that situation, she and the dog are one in her mind and that has to be remembered.  In The Repossession trilogy Genie bonds with the farmer’s dog and that’s entirely about needing someone to trust that won’t pass comment.  It was the devil’s job to keep that dog there in the story and address its needs.  I’d be in the middle of a tense scene and suddenly looking around for the dog, what the hell did I do with the dog…

In J&K 4Ever it was totally accidental that Yip is prominent. But although the dog falls in love with Jeyna, he is trained to betray her and can’t help himself.  SO yes, dogs are important to my stories.

What was the hardest thing about writing your latest book?

There was a slight interruption when I had a heart attack and then my mother died.  I had to wait to come back to the story and find my groove.  When I write I like to keep going to the end.  With J&K I needed to look more closely at what I was saying and where it was going.  The break allowed me to question what I was doing and I had to make some changes following feedback that gave Jeyna and Kruge better focus.  It’s important to be able to accept a reader may have a different viewpoint to you and might well be right.  I chose not to look at a wider America, just concentrate on the immediate horizon of what the kids discover.  No one knows what really happened, it’s mostly hearsay.  In sixty years the ones left have few skills, are mostly illiterate, disease ridden, scared to move away from what they know. Imagine England after the Romans left.  It took just one generation for them to forget 400 years of history.

My next book was similarly interrupted by circumstances, but happily I was on holiday back by my favorite beach in Biarritz and suddenly I was able to start writing again and wrote 50,000 words quite quickly with all the enthusiasm of when I first started it.

What is the easiest thing about writing?

I’m not sure there is anything easy about it.

How long on average does it take you to write a book?

Longer now than it used to be, either I’m slowing up with age or more critical.  A bit of both.

Do you ever get Writer’s Block?

Not when writing no.  Sometimes I wonder where it’s heading but I always heed Raymond Chandler’s advice and if stuck have someone burst through a door with a gun in their hand.  That’ll do it.

Any tips on how to get through the dreaded writer’s block?

Go for a walk by the beach in Biarritz.  Works every time for me.

Which country do you like the most to visit?

I love the Atlantic beaches in France, the colour of the earth in South Africa, the lakes and mountains in British Columbia, the fantastic waves lashing Florida in a storm. (I was in Miami during a hurricane once).

Do you read much and if so who are your favorite authors.
Paulo Bacigalupi is my favourite writer and closely followed by Patrick Rothfuss who wrote ‘Name of the Wind’ and I’ll toss in Leigh Bardugo who wrote the Grisha series.  All of them are hugely imaginative, fluid writers who create amazing characters.

For your own reading, do you prefer e-books or traditional paper/hard back books?

Paper.

What book/s are you reading at present?

Just finished ‘Heyday’ – a history book about events that took place between 1852 and 1862 – Gold rushes and invasions of Japan and China. The creation of our modern world really.

Tell us about the cover and how it came about.

J&K was designed by Dominic Robson, who designs all the Hammer & Tong books.  He decided to go for an abstract concept rather than literal look and it’s certainly different.  It evolved over a couple of months. I’d originally asked for a rusted cover but he talked me out of it.

Do you think that the cover plays an important part in the buying process?

Yes

How are you publishing this book and why?

Hammer & Tong publish all the Sam Hawksmoor books now and it gives me more control.  It’s faster than the traditional route and although it is hard to get noticed in this crowded world, they find a niche their own way in the world. All available on Amazon of course.

What would you say are the main advantages and disadvantages of self-publishing against being published by mainstream publishers?

Being with a traditional publisher means you have a better chance of reviews and of course being sold in bookshops.  But if they don’t support the books or the sales team doesn’t push them, you will not succeed and it’s heavy road to disappointment for most writers.  I speak from experience in this.  I have a book just come out in translation in Turkey right now (TOZ) but only found out by accident. Traditional publishers really have no interest in their authors and pay a pittance.

How do you market your books?

By hand and online.

Why did you choose this route?

That’s the route you take if you go it alone.

Would you or do you use a PR agency?

Not sure there would be a profit in it but I am not averse.

Do you have any advice for other authors on how to market their books?

Do it better than me.

What part of your writing time do you devote to marketing your book?

Not enough clearly. Since I never use social media if I can help it. I am a dinosaur.

What do you do to get book reviews?

Struggle

How successful has your quest for reviews been so far?

Moderate.

What are your thoughts on good/bad reviews?

Some reviews are malicious or unthoughtful but overall I have been happy with most. You have no control so best to roll with it.

Did you do a press release, Goodreads book launch or anything else to promote your work and did it work?

Not much traction with Goodreads on the last book. Might have a go with that when the e-book comes out in June so that people have a choice.

Did you get interviewed by local press/radio for your book launch?

My last book in the local press but they spelled my name and the title wrong!

Why do you think that other well-written books just don’t sell?

That’s always a mystery to me.  I have reviewed some fabulous books that should be best sellers but for some reason their publisher didn’t get behind them.

What do you think of “trailers” for books?

I’d like one but it’s beyond my budget at the moment.

In what formats is your book available?
Print now and kindle (as of June)

What is your favourite motivational phrase?

As one door closes another one slams in your face

What is your Favorited positive saying?

I am not known for any positive sayings.

What is your favourite book and why?

Catch 22 – funny, surreal, probably the best WW2 novel ever that really captures the absurdity and horror of war.

What is your favourite film and why?

Buster Keaton’s The General
It’s audacious, hilarious and shows silent film at its peak.  Much was lost when sound was added.  Keaton hired a whole army as extras and it cost a fortune to make. I saw it with a full live orchestra and it blew me away.

Where can you see yourself in 5 years time?

Still looking for the next story

What advice would you give to your younger self?

Get a paying profession.  Start a pension.

Which famous person, living or dead would you like to meet and why?

Every time I think I would like to go back in time I remember everyone smokes and spits and probably haven’t had a bath in at least a year.  But I’d love to have a drink and listen to Mark Twain talk.

What advice would you give to aspiring writers?

Keep the day job

Where do you see publishing going in the future?

Robots will write everything.  It might even be good.

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How can readers discover more about Sam’s work?

go here

samhawksmoor.com

samhawksmoor.com/contact

••• The International Writers Magazine:

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16/16 “Six Months to Get A Life with Ben Adams”

Transforming Relationships with host, Julieanne O’Connor and her guest Ben Adams aired April 19th-25t

Tune-in for a candid and heartfelt conversation with Ben Adams, author of Six Months to Get A Life. Watch-out, he’s single, vulnerable, kind, good looking and ready to get a life! Ah, but seriously, enjoy this interview as we did!

z

Like a lot of people, Ben went to school, then college and eventually grew up and got a responsible job, a house and a family.

And then his mid-life crisis kicked in.

Realising that life was in danger of becoming all too serious, Ben started writing. Not in the way that Forest Gump started running, but at least he started.

He wrote on steamed up mirrors in the bathroom to make his children smile.  Eventually he graduated to making up stories to entertain his kids at bed-time.

For some reason his boys didn’t seem interested in his tales of every-day life, relationships, family, trauma, farce and the occasional bit of debauchery.  His 12 year old son told him that he preferred JK someone or other.

Following his short-lived career as a children’s author, Ben now concentrates on writing stories for grown-ups.  He writes for people who have lived, loved, worked, strived and suffered – people like himself. People like you.

He has a gift for finding humour where others just find pain; and also for finding pain where others find humour.

Ben lives in South West London with his two boys, his dog and his constant stream of girlfriends.  He dreams a lot too.


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It will make you smile, want to cry and most definitely read his book.

Available anywhere books are sold!

book cover

 

benadamsauthor.com

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More on Julieanne and her past and coming show go to Transforming-Relationships

Please email Julieanne O’Connor with your questions, comments, stories or quotes about relationships to  spellingitout@yahoo.com.