ECO 17-05 Global Warming Awareness & Solutions with Craig Hover

ECO Solutions with Sara Troy and her guest Craig Hover, on air from January 31st 

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Can we keep turning a blind eye to global warming? The facts are abundant and if we want a future here we must do our part, however, small, tune in and here what you can do to save this planet that sustains us so well. 

Craig was a SKEPTIC

A 2oC temperature rise is going to be “catastrophic?”

  • Problem seems counterintuitive
  • Temperatures can vary 40 to 60oF (22 to 33oC) in any given day
  • What’s another couple of degrees?
  • At first blush it seems not credible that such a small variation can have such a large effect
  • Some people may want to “bury head in sand” (the problem, if true, is so scary don’t want to look at).
  • Some don’t want to “sacrifice” their lifestyle to “save the planet,” particularly if it’s perceived that that “sacrifice” is part of someone else’s “agenda” (e.g., battery-electric cars). (With my proposed solution sacrificing lifestyle isn’t necessary.)

CLIMATE

“Climate Change”

  • The term is a milquetoast, politically-correct, overworked cliché
  • The climate is changing all the time
  • This cliché equivocates about what’s really happening
  • The term global warming is much more accurate
  • There are 14 climate drivers; effects are from days to 100s of millions of years
  • There’s only one that can produce the kinds of changes in the time frame we’re seeing
  • The greenhouse effect; need the greenhouse effect; too much CO2 in the air; trapping more heat on the surface than can escape back into space; every 3 weeks the thermal energy accumulation on the surface is equivalent to annual global energy production
  • Blew through the safe upper limit of 350 ppm in 1988; now at 408 ppm and rising fast.

POLITICAL

Concern about global warming perceived/perpetrated as a “liberal vs. conservative” construct

  • Global warming is NOT a political issue – though it has been politicized.
  • Frank Luntz in 2003; created the illusion there is no scientific consensus
  • 97 to 99% of scientific community agree; it’s scientific fact – like gravity; the “uncertainty” comes from scientist types always wanting to give themselves some “wiggle room,” just in case there is some unknown data “out there.”
  • The unthinking, knee-jerk reaction is that if you are concerned about global warming you’re automatically assumed to be a Democrat; if you’re a Republican, it’s automatically assumed that you’re not concerned.
  • Kept politics out of the book on purpose – would immediately alienate 50% of the potential audience regardless of what my personal political viewpoints are; it’s just physics.
  • Reality: Climate Resolve; 3 out of 8 attendees Republican; recent poll – 90% Dem & 74% Reply favor climate-related measures (that’s over 80% of population)
  • Problem is state- and federal-level party posturing (the warring teams)
  • Despite grandiose noises by politicians, big business, and the COP21 Accord – ALL proposed measures to date are much too little way too late.
  • Entrenched power structure doesn’t want to fix global warming (i.e., abandon fossil fuels) – results in loss of control over people (this is the real issue)

IMMEDIATE

Media persistently alludes to solving global warming “someday,” like we have generations to solve this problem [they use words like gradually, ultimately, and eventually]

  • Global warming is real, imminent, and severe – far more so than is being portrayed in the mainstream media.
  • Don’t have generations to fix this.
  • Need to achieve 80 to 90% CO2 emission reductions globally in next 5 years – 10 years tops.
  • Must mount an all-out WWII-style war on global warming in the next few years if we are to have any hope of surviving as a global civilization.
  • We are fast approaching a Point of No Return – which will be induced by an ice-free Arctic; ice-free Arctic will be created by the 2oC temperature rise
  • Passing this Point of No Return will unleash an irreversible, methane-driven, runaway global warming phenomenon; it’s not the 2oC that will wreck the planet, it’s what gets unleashed that will wreck the planet.
  • By the next century, much of the planet will experience summertime peak temperatures of 125 to 157oF (52 to 70oC)
  • Our children and grandchildren all dead; 90% of the population will perish; end of civilization as we know it.

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FIXING IT

Well-regarded business leaders assert we need an “energy miracle” to “tackle” global warming

  • This is flat-out false and is extremely damaging; it is almost criminal to make such statements
  • The truth is that we have ALL the technology needed to end global warming right now. All we need to do is implement it.
  • In my Perpetual Abundance Engine model, ALL our power for our entire global civilization can be provided by the three natural forces of sunlight (solar), air moving across the planet’s surface (wind), and gravity (hydro). These forces are inexhaustible, unlimited in supply, and are free for use by anyone.
  • We can create as much electricity, water, and fuel (motive and heating) as we wish for any purpose we wish
  • We can live an abundant, free-flowing life without damaging the planet
  • No scrimping, shrinking, or living small will be needed
  • Our energy sources (solar, wind, hydro) and water sources (desalination) are already “handled”
  • Energy storage and conveyances are the challenges
  • Forget batteries for energy storage ($47 trillion per day) and battery-electric cars (unsolvable limitations in range, recharge rate, and scale, among others)
  • Energy storage – CAES
  • Replacing the ICEV – FCEVs
  • WWII-scale level of effort
  • Large-scale deployment; unprecedented 6 to 12% annual economic growth rate for an entire generation

WHAT TO DO?

One of the standard mantras is to “Reduce our carbon footprint”

  • While well-meaning, this intimates shrinking and trying to live in a smaller and smaller box.
  • I know 3 people (out of 100s) who have almost “eliminated” their “carbon footprint” (so they say). What about the energy needed for creating their houses, clothes, furniture, cars, electronic devices, food, etc, etc, etc?
  • Reality: most people won’t do that. Don’t try to make fixing global warming dependent on these – it won’t work, by a long shot.
  • Reality: we can’t “shrink” small enough to fix the global warming problem
  • We need to rethink what we’re doing from the ground, up.
  • Individual actions (Chapter 40) are useful – help to retrain our outlook and thinking
  • Non-typical individual actions; Ex., unplug from your devices, think, read a book – one printed on paper, buy quality over quantity, open a credit union account, buy locally, feel good, pay attention, laugh, etc, etc.
  • Collective actions; 10%; critical mass; entrenched power structure has an Achilles’ Heel
  • Activist groups
  • Our emotional state is critical; from powerlessness to empowerment
  • Raise thinking – most important part; Einstein
  • At least 83 different topics in the book to get us to think; break out of our non-thinking media-induced trance
  • Action at local level (examples); women’s suffrage movement
  • “Vibrate” at a high level; think in terms of a positive outcome

BOOK

book-cover-a-world-to-come-home-to

What makes this book different from others?

  • I’ve had more than one reader tell me this was the one book on global warming they’d always been looking for, but thought they would never find.
  • Half the book is about the global warming problem and the technology that can fix it. The other half of the book is about the human element – how we think (or don’t think, as the case may be), feel, and relate to others. This is the most important part and is what makes this book different from other books on global warming.
  • People don’t think they can understand the global warming problem – it’s too scientific and complicated; not true
  • Scientific community keeps throwing more facts and data at people author-craig-hovertrying to “get through” to them
  • It’s not about the facts; we’re drowning in facts
  • Scientists are lousy salespeople – that’s because they don’t understand that most people don’t make decisions based solely on facts; they make decisions based on their emotions, and then select facts to justify those decisions
  • My book is written for the general public in terms that are easy to understand
  • I reduce the entire global warming problem down to basic fundamentals – Ex., a pot of ice on the stove
  • I paint the picture of what “catastrophic” really looks like (the disaster movie)
  • I then show how we can actually fix it – if we get busy
  • Most important – how we think
  • Global warming is actually our greatest opportunity; if we can learn to cooperate to fix this thing – open a whole new era for mankind.

http://www.endingglobalwarming.com

energimeuniversity.org/index.php/executive-staff

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LM 17-05 “The James K?b Experience”

“for the LOVE of Music” with Sara Troy and her guest  James Kob, on air from January 31st

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Documentaries come in all shapes and sizes. Some are pretty serious films. Others… not so much. But all documentaries explore conditions, events or people and present them in a “film short” that teaches us something useful or important.

Point in case related to the “people” subject matter:  none of us suddenly “arrives” in our lives at a place or at a point in time to which we were magically transported. Instead, that “arrival” is an accumulation of much of everything we learned, experienced personally or vicariously, were given, created ourselves or were deprived of in some way. Somehow through Kismet, Divine Intervention, just plain sheer determination or a combination of all three… we all arrive “somewhere”.


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Film Director & Storyteller Mark Jacobs of ZZYZX Films has created a masterful documentary: “The Making Of …. The James K?b Experience” that explores James K?b’s musical journey in a way that may bring hope to all musical artists and those that appreciate the art of “making music”.

The full film was for released in (2016), but take a look below to see a brief preview of what’s  in the full-length documentary.

Hopefully, this “trailer” will have you looking forward to the full release. Who knows… maybe it will even inspire you to follow your life’s passion.

James K?b has brought melody and beautiful arrangements back to the popular music genre….. while still keeping it “cool & hip”.

A veteran American composer, lyricist, arranger and producer… Mr. K?b has created music that spans across multi-national borders as well as focusing on the music scene here in America.

In developing “The James K?b Experience”, he has set a new benchmark in music entertainment…… a sort of ‘Broadway-ish, Pop, Jazz, Bossa Nova and a little cinematic music’ affair! In addition, quite a few pieces are performed in French and Portuguese for our European and South American music lovers.

It’s a good kind of different.

[To learn more, visit the DOCUMENTARY Page, read about what’s in store next and watch the documentary preview.]

The James K?b Experience from James K?b Experience on Vimeo.


http://jameskob.com

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C17-04b Lessons from a Difficult Person

Choose Positive Living with Sara Troy and her guest Sarah Elliston, on air from January 24th 

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The funny thing is that Sarah Elliston never realized she was “a difficult person,” — someone who harangued people until she got her way, threw snip fits and temper tantrums, talked over her bosses and pointed out what she thought were their misconceptions. In her family, where she felt bullied, the only way she knew how to get someone’s attention and approval was to voice her opinion and loudly! Without standing her ground, how could she do what she thought was best for herself and everyone else around her? She wasn’t intentionally mean-spirited. She was just trying to do what she thought
was RIGHT!

Until a kind, but firm, boss woke her up! With great compassion and strength, her boss pointed out that her actions had consequences. That in being “difficult,” she was not only disrupting the office camaraderie and production but impeding her own professional advancement.


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aaeaaqaaaaaaaak6aaaajdnjodvmnjnhltcwzwmtndywns05odzllwezogvmyzrlyjuyoqThat’s the beginning of Sarah’s transformation when she started on the journey to leave behind the difficult person, and become the woman who teaches others how to deal with difficult people. Sarah “Sam” Elliston is now bringing forth her vital manual on how to awaken the challenging personality, and change both the relationship and the environment with her new book Lessons from a Difficult Person – How to Deal With People Like Us.

Today, Elliston is a highly successful workshop leader and trainer, who offers wisdom learned the hard way and through rigorous study and certification in many areas of professional training that aid her in her work — Values Realization, Parent Effectiveness Training and Reality Therapy. She is a faculty member of the William Glasser Institute. Glasser is an internationally recognized psychiatrist and developer of Reality Therapy, a method of psychotherapy that teaches people they have a choice in how they choose to behave.

The methods Elliston offers in her bookend the trauma and the drama and minimizes the possibility of confrontation. She gives YOU the ability to take a strong, positive, confident yet compassionate–stance with the “difficult person”-whether that is a relative, coworker, friend, one of your children or anyone else for that matter.

Elliston offers:
How to identify the ways to talk to a difficult person — without drama– that will lead to change
The true incentives that make people change
How to make real the consequences of the difficult person’s action both to him and to those impacted.
How to soften the blow through belonging
How to identify areas in yourself that are triggered by the difficult person so you can neutralize those hot buttons, and communicate without judgment

Elliston lays out a proven script for peacefully transforming the difficult person’s behavior and the environment or inviting that person to move on.She gives you the tools for a successful change conversation with a difficult person.

www.sarahelliston.com
ellistonsh@cinci.rr.com

facebook.com/Sarah-Elliston-Author

linkedin.com/in/sarah-elliston-

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17-04 Petless and a Sad Heart

Join Sara Troy on Sara’s View of Life, on air from January 24th

Losing a pet is like losing a part of you.

kokomo

I have just lost my cat or 17.7 years and 5 months ago lost my dog of 14.7 years, I am now petless it feels so strange and my heart misses their loyal love.

Kokomo my border collie was my best friend, she was my soul, my heart, and my spirit. She knew me inside and out, and was always there for me, letting her go was kind to her, but has been almost crippling for me. I had to let her go last August 9th because she could not cope with life anymore, it was so hard to do, but she did prepare me for it.  We gave her a beautiful death, a steak dinner, ice cream, a vet assisted death at home and so much love around her, she went knowing how much she was loved.

Sativa our cat was an independent cat of only 6lbs, but she loved the outdoors, she loved people and was so beautiful and we thought she would live for many more years. It came as a shock that I found her on the floor listless, unable to stand, lethargic, this vibrant cat who only days before had presented me with a bird, was dying right before my eyes.

I took her to the vet and he said she had kidney failure and most likely would not recover from it, the kindest thing to do was let her go, but always so had to commit to. It was all so fast.

She lay in my arms with my son and his girlfriend giving her loving support and we said our goodbyes. This limp lifeless kitty who used to terrorize other cats and Kokomo, hang out with the guys was a mere shell of herself, how did she decline so fast?

The vet gave us time to say our goodbyes and then came in with the injection, in seconds it was over, we kept speaking to her telling her we loved her forever so her spirit would go with all the love we have for her, she went home knowing that.

Now after 17.7 years of having a pet, it feels so strange and empty, I do have my Grand pups who are here often, and I love them so, I am sitting one right now who knew my loss and gave me comfort, but alas they are not my babies and have not traveled through life with me.


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I miss my Kokomo, now that silky little girl who loved sleeping on your lap is now gone too, yes they will always be with me, in my heart soul and with a visiting spirit, but I won’t get to hold them anymore and for that, I am very sad.

So go give you pet the biggest hug you can and make sure they always know how much you love and that you are grateful for them.

Thank you Kokomo and Sativa for all the love smiles and laughter you gave us all, we will never never forget.

2022. It has been years since they passed and my heart still aches for them, that trust, pure love and soul connection is missed so much.

OUR FINAL MOMENTS


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Shows and articles on my besties. 

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LM 17-06 ‘Saxing’ into our Souls with Gerald Albright

“for the LOVE of Music” with Sara Troy and her guest Gerald Albright, on air from February 7th 

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Gerald Albright has a generous invitation for fans of his hit 2014 album: If you thought that mix of deep funk and simmering sensuality was a Slam Dunk, wait’ll you get a load of G. It’s that album’s high octane sequel, which draws even deeper connections to that in-your-face horn-section-magic, of classic bands like Earth, Wind & Fire and Tower of Power.

Early in his career, the versatile saxophonist was often told by his labels to “be funky, but not too funky” – but after 30 years at the top of his game as one of contemporary urban jazz’s core artists and sonic innovators, the eight-time Grammy nominee is letting loose like never before. What we get from G is nothing less than Genuine Gerald, with powerful support from his co-producer Chris “Big Dog” Davis and legendary special guests Michael McDonald and Doug E. Fresh.

When Albright titled his 2006 album New Beginnings, he was referring to the move he and his family made to Colorado after a lifetime in Southern California. Ten years later, he’s in a similar mode, blazing into the next phase of his storied career with the release of his first album ever as an indie artist, after decades on major and major affiliated labels. Like a lot of his peers in the genre, he realized that the business models of those big companies don’t fit into the current economic structures of urban jazz. Inspired by a loyal fan base of thousands throughout the world, he knew it was time to leverage his hard won success, step out in faith, and create a company that could not only release his music but also serve as a legacy for his family. Choosing the name Bright Music Records, just as in calling the album G, was not only a play on his name but also reflective of his great optimism in embarking on an endeavor that uniquely defines who he is.

G gets right down to business, celebrating his fresh start by titling the thick and feisty, brass fired and groove intensive opening jam “Taking Control.” He creates all the horn sections himself, texturing alto, tenor and baritone around the lead melody, while handling the thick bottom via bass guitar. With Davis (one of urban jazz’s top hit makers, who has worked with everyone from Najee to Maysa, Phil Perry, and Kim Waters) creating an array of keyboard sounds, Albright infuses many of the other tracks with a mix of horns and other instruments. His passionate, high flying soul-jazz fusion spin through Bill Withers’ classic “Lovely Day” features McDonald on lead vocals and G himself mixing alto, C flutes and bass flutes while holding down the spirited rhythms on bass. Likewise, the exotic, briskly paced old school horn-fired jam “We Came To Play (La Calle)” features G on alto, tenor, bass, a bass solo and C flutes. On the tight, edgy “G and Doug E.,” a whimsical self-portrait with Fresh fashioning a tribute to Albright in rhyme, G also plays the organ. The soaring, emotional power ballad “I Miss You” features the saxophonist on alto, tenor and bari, in addition to C flutes, alto flutes and bass flute and bass guitar. It also features his daughter Selina – a solo artist in her own right – on background vocals.

Other highlights on G include “Frankie B,” a simmering, horn-drenched light funk ode to his dear friend Frankie Beverly and one of Albright’s favorite bands, Maze; the mystical soul ballad “Boom Boom” and buoyant, free-wheeling horn explosion “Funkism,” both of which showcase G’s every deepening skills as a jazz improviser; a sly, seductive cover of Avant’s 2003 R&B vocal hit “Read Your Mind”; and the sensual, ambient “Closure”, a simply arranged ballad that wraps the set in a romantic mood.

Albright says that the big, multi-faceted sound of the album, particularly his use of multiple flutes, is a throwback to the way he came up in music. “I’ve been implementing them over the past few projects, using flute seasonings strategically with certain songs, and it was exciting to take those sounds to the next level,” he adds. “I come from that orchestral big band sound that defined my high school years playing in the 70s, and had great teachers who believed that musicians should never take shortcuts. In those jazz band days, I doubled on other instruments besides sax, and coming from that world, it’s always been hard to neglect those instincts. I like having a lot of sonic options.  I use everything as a facility to bring my music to another level. When I think of those EWF and TOP horns, they were so ‘in your face, present and clear’. That’s what I was striving for on G.”


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14595608_1472573109425184_5481617928158770972_nBorn and raised in Los Angeles, Albright was already an accomplished saxophonist by the time he enrolled at the University of Redlands, but he switched to bass after he saw Louis Johnson in concert. A few months after graduating from college, he joined jazz pianist/R&B singer Patrice Rushen, who was in the process of forming her own band. Later, when the bass player left in the middle of a tour, Albright replaced him and finished the tour on bass guitar. Playing both sax and bass, he became the consummate session and touring musician in the 80s, working with everyone from Anita Baker, Ray Parker, Jr., Atlantic Starr, The Temptations and Maurice White to Les McCann, Teena Marie, the Winans and Whitney Houston.

He launched his solo career in the infancy of what became the smooth jazz format, with Just Between Us in 1987 and has been a core part of the genre with chart-topping albums, countless radio hits and as a member of many all star tours, including Guitars & Saxes and Groovin’ For Grover. In the late 90s, he fronted a big band for and toured with pop star Phil Collins and did a dual recording with vocal great Will Downing called Pleasures of the Night. Between his last two Grammy-nominated solo albums Pushing The Envelope (2010) and Slam Dunk (2014), he enjoyed hit collaborations with two huge hits – 24/7 with guitarist Norman Brown and Summer Horns by Dave Koz and Friends (including Mindi Abair and Richard Elliot), which were also Grammy-nominated for Best Pop Instrumental Albums. He toured with Brown and Summer Horns, and most recently has been on the road with South Africa gospel/jazz singer and guitarist Jonathan Butler. Albright’s other albums whose titles perfectly reflect their flow include Smooth (1994), Groovology (2002), Kickin’ It Up (2004) and Sax for Stax (2008).

Because Albright’s musical muse has taken him to so many fascinating locales along the contemporary R&B/urban jazz spectrum, he’s joyfully defied easy categorizations. Roland S. Martin, Host/Managing Editor, NewsOneNow, TV One, at last has found a way to explain all the things that make G who he is. “For two decades,” he says, “jazz artists like Gerald have been placed in the suffocating box known as ‘smooth jazz.’ But in my years as an Albright fan, I much prefer to call him a funky, ice cold jazz impresario who can make your head bob while cruising down the freeway with the sunroof open or make you do the scrunchy stank face of a George Clinton/Parliament Funkadelic.”

“Top to bottom,” Albright says, “I wanted my new album G to take the listener on a musical journey with different textures, rhythms, chord progressions and moods. I want people to know where I’ve been and where I’m going, and to let them hear that I’m in a really good place in my life.”

http://geraldalbright.com

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facebook.com/geraldalbrightmusic

twitter.com/GAAlbright

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